Who fell in love with a bauble fathers and children.  The best schemes of baubles

“Fathers and Sons” is a famous novel by the Russian writer I.S. Turgenev. The main theme of the work is the description and development of the conflict between the old and the new generation. In order to give this topic dynamism, in order to make the reader look at it from a different angle and think, Turgenev creates unique and outstanding characters with their own exceptional ideological views, unique characters. One of these heroes is Fenechka.

Fenechka (Fedosya Nikolaevna), one of the secondary characters of the novel, was the unofficial wife of Nikolai Kirsanov, the father of one of the main characters, Arkady Kirsanov. She was about twenty-three years old, by her origin Fenechka was a peasant woman, she grew up an orphan. The low origin was one of the reasons that Nikolai Kirsanov did not dare to propose to her for a long time, and only after his conversation with his son did he realize the need for this step.

Fedosya was young and beautiful girl, a wonderful mother and a wonderful hostess. We understand this from the description of her by the author: "... Indeed, is there anything in the world more captivating than a beautiful young mother with a healthy child in her arms? .." And everything in her was as if small, from that beautiful and sweet. The girl is very modest, even shy, quiet, polite and courteous to everyone. Despite her peasant origin, she is nice to everyone, brought up. Fenechka has no education, she is illiterate, but, despite this, she is quite reasonable. She does not seem stupid or funny, her character is very gentle and affectionate. The reader Fedosya can cause only positive emotions. Those that usually evoke very simple souls, but in everything infinitely sincere characters. Inside them there is a big living heart, which is filled to the brim with kindness and warmth.

Her character fully reveals motherhood and love for her son Mitya. She is infinitely kind to her child, protecting him and pampering him. When Pavel Kirsanov comes to visit her, she becomes happy from their conversation about the child, from the fact that Pavel likes the baby, and her husband’s brother talks about him with such participation: “Fenechka blushed all over with embarrassment and joy ...”

Fedosya sincerely loves Nikolai Kirsanov, she is devoted and faithful to him: “I love Nikolai Petrovich with all my heart. I don’t love Nikolai Petrovich - and after that I don’t even need to live! I love Nikolai Petrovich alone in the world and I will love forever! It would seem that the relationship between a nobleman and a peasant woman does not have any positive outcome, however, with the birth of Mitya, Fenechka still moves to live in the house of her child's father. Nikolai is embarrassed by these relationships, his feelings, but Arkady still convinces him to marry Fenechka.

At first glance, the girl seems completely unremarkable, even too simple, but it is her genuine naturalness, her certain liveliness and sincerity, her tenderness and bashfulness that make the reader fall in love. All these qualities make her especially real, able to love endlessly and, undoubtedly, worthy of real family happiness.

Composition The image and characteristics of Baubles

A landmark novel by Turgenev I.S. "Fathers and Sons" was written in the second half of the nineteenth century. The action described in the novel takes place in the Kirsanov family estate in the summer of 1859.

Along with the main characters, bright female images have found their place on the pages of the work. One of them is the image of Fedosya Nikolaevna. Fenechka - so lovingly called the heroine by those around her. The mother of the heroine, an ordinary peasant woman, served as a housekeeper in the Kirsanovs' house. The owner of the house, Nikolai Petrovich, was pleased with his housekeeper. He liked her cleanliness and ability to keep the house in perfect order. After the sudden death of her mother, Fenechka becomes the mistress of the owner of the house. She has a son, who was named Mitya.

For the first time, Fenechka appears after the arrival of the younger Kirsanov with Bazarov. External Description a young woman of 23 years old leaves only a pleasant impression. In addition to the prettiness, masterfully described by Turgenev, the girl is modest and shy. She did not appear before the guests immediately, not on the first day of their arrival. Her position was ambivalent and it was very obvious. The master showed generosity and settled his beloved with the child in his house. But the fact that he himself was ashamed of his act reduced all his nobility to zero.

Fenechka, as a sensitive being, understood the complexity of her situation. She was also ashamed of the fact that she lives in sin with her master. And at the same time, she intuitively felt that she had some kind of right. Turgenev, describing the image of the girl, as if he himself admires her, like a Madonna with a baby in her arms. With his positive attitude towards the heroine, the author raises her above all gossip and crooked interpretations.

The bauble is soft and natural, like almost everyone around. So Bazarov experienced real pleasure only from communicating with Fenechka. He even changed his face. The always strict and even rude face of Yevgeny Vasilyevich became kind and attentive. He saw in the heroine not just a young beautiful woman who looked like a blossoming flower. He managed to see the purity of her soul, its naturalness, the absence of pretense. Not indifferent to the girl and the brother of Nikolai Petrovich, Pavel Petrovich Kirsanov. It was he who challenged Bazarov to a duel when he became an accidental witness to a kiss between Bazarov and Fenechka.

At the end of the novel, Nikolai Petrovich nevertheless legalized his relationship with Fenechka. Thus, Turgenev himself restored justice. Because the image of Fedosya Nikolaevna is the best female image in the work.

Option 3

There are many wonderful works of the Russian classic Turgenev, which in one way or another reveal the peculiar ideal of a woman, telling us about what she should be, what views she should adhere to, what character she should be, and finally, how she should look. However, despite the considerable number of such works in Turgenev's literary biography, only one can be singled out, and this is the novel "Fathers and Sons".

In the work, we get acquainted with many colorful female characters, which the author filled with a variety of features, both good and bad, but he makes his attention stop on Fenechka. Fenichka, a peasant by birth, is the unofficial wife of Nikolai Petrovich. Fenechka is Turgenev's ideal of a Russian woman, whom he describes as almost a goddess, with a charming character and convictions, which all women must adhere to. In her image there are many different features that, according to Turgenev, are mandatory for a good girl to have. These are such character traits as: kindness, independence, intelligence, caring, enhanced maternal instinct.

Gradually telling us about Fenechka, the author makes us fall in love with her more and more, forcing us to empathize, and treats us like her own. Her childish naivety and truly boundless kindness to all living things causes undoubted sympathy and affection.

Despite all her difficult fate, Fenechka remained as good-natured and sweet as she was before. Through her image, Turgenev shows us how beautiful this ideal, created by him, is. Revealing obvious things, the author makes you fall in love with this character with the same obvious naivety, trying to empathize with her, and, undoubtedly, support the whole work.

One way or another, Turgenev created a wonderful and bewitching image of the female ideal that girls should adhere to, since it is filled with undoubtedly good features that every person should have. Also, through her childish naivety, but adult balanced decisions, the author tries to convey all the strength and will of her character, as if showing us the strong side of this ideal. In general, the author wrote a wonderful work, which made it possible to fully see the very ideal in the face of Fenechka.

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I would like to begin my work with reflections on Fenechka. And it is no coincidence that the very first appearance of Fenechka leaves in the soul a feeling of something soft, warm and very natural: “She was a young woman of about twenty-three, all white and soft, with dark hair and eyes, with red, childishly plump lips and tender handles. She was wearing a neat cotton dress, a blue new scarf lay lightly on her round shoulders.

It should be noted that Fenechka appeared before Arkady and Bazarov not on the first day of their arrival. On that day, she said she was sick, although, of course, she was healthy. The reason is very simple: she was terribly shy.

The duality of her position is obvious: the peasant woman, whom the master allowed to live in the house, was embarrassed himself. Nikolai Petrovich committed an act that seemed noble. He settled a woman who gave birth to a child from him, that is, as if he recognized her certain rights and did not hide the fact that Mitya was his son. But at the same time he behaved in such a way that Fenechka could not feel free and coped with her position only thanks to her natural naturalness and dignity.

This is how Nikolai Petrovich tells Arkady about her: “Please don’t call her loudly ... Well, yes ... she lives with me now. I placed it in the house... there were two small rooms. However, all this can be changed.” He did not say anything about his little son - he was embarrassed before that.

But then Fenechka appeared in front of the guests: “She lowered her eyes and stopped at the table, lightly leaning on the very tips of her fingers. It seemed that she was ashamed that she had come, and at the same time she seemed to feel that she had the right to come.

It seems to me that Turgenev sympathizes with Fenechka and admires her. He seems to want to protect her and show that she is not only beautiful in her motherhood, but also above all rumors and prejudices: “Indeed, is there anything in the world more captivating than a beautiful young mother with a healthy child in her arms? ” Bazarov, living with the Kirsanovs, was happy to communicate only with Fenechka: “Even his face changed when he talked to her. It took on a clear, almost kind expression, and some kind of playful attentiveness was mixed with its usual carelessness. I think the point here is not only in the beauty of Fenechka, but precisely in her naturalness, the absence of any kind of affectation and attempts to build a lady out of herself.

Bazarov liked Fenechka, he once kissed her tightly on her open lips, which violated all the rights of hospitality and all the rules of morality. The nihilist, in love and then rejected, painfully experiences his failure. And quickly and almost without difficulty “compensates” for the defeat at Odintsova with success at Fenechka. She also liked Bazarov, he knows the approach to her, deftly plays on their mutual antipathy towards Pavel Petrovich, but she is morally pure, she does not notice Bazarov’s “male” look and treats him friendly. The pretty, affectionate, but rustic Fenechka ("kitty") resembles Bazarov's mother in her youth. The role of the wife of a county doctor would suit her perfectly, a role that fate prepares for a young nihilist and which he tries with all his might to avoid.

Pavel Petrovich was even in love with Fenechka, several times he came to her room "for nothing", several times he was alone with her, but he was not so low as to kiss her. On the contrary, because of the kiss, he fought with Bazarov in a duel, and in order not to be further tempted by Fenechka, he went abroad.

The image of Baubles is like a delicate flower, which, however, has unusually strong roots. It seems to me that of all the heroines of the novel, she is closest to the “Turgenev women”. Fenechka could give Nikolai Petrovich love, kindness, care, respect, which he undoubtedly deserved, being a kind and decent person. In turn, Nikolai Petrovich gave Fenechka reliable protection, respect, love.

Fenechka cannot be attributed to the "Turgenev woman", but she is deeply sympathetic both to the author and, I think, to the readers, since she is naturalness and charm itself.

Fenechkaya is one of the minor heroines of the novel "Fathers and Sons"

Turgenev

This article presents the quotation image and characterization of Fenechka in the novel "Fathers and Sons": a description of the appearance and character of the heroine in quotations.

See: All materials on the novel "Fathers and Sons"

Brief description of Baubles in the novel "Fathers and Sons"

Fenechka, or Fedosya Nikolaevna - the unofficial wife of the landowner

Nikolai Petrovich Kirsanov

Fenechka is 23 years old. By origin, she is a peasant woman (probably a civilian peasant woman).

Fenechka is a good housewife and caring mother. She loves order and cleanliness. Fenechka is poorly educated, stupid and empty, but at the same time she is pretty and sweet.

One day, Fenechka and her mother get a job with the landowner Nikolai Petrovich Kirsanov. A relationship develops between him and Fenechka. Kirsanov is 20 years older than Fenechka. He is a nobleman, and she is a peasant woman, but this does not prevent them from being together.

Fenechka and Kirsanov have a son, Mitya. After 3 years of marriage, Kirsanov marries Fenechka.

The image and characteristics of Baubles in the novel "Fathers and Sons"

Fenechka's age is about 23 years old:

“…It was a young woman of about twenty-three…”

The full name of the heroine is Fedosya Nikolaevna:

“… Fedosya Nikolaevna…”

Fenechka - a peasant woman by origin : “...“Kiss the master’s hand, silly,” Arina told her ...” (the peasants kissed the master’s hand)

Fenechka is an orphan: “... Her husband died a long time ago ...” (we are talking about Fenechka’s father)

“... mother, Arina, died of cholera ...” (Fenechka's mother died of cholera when her daughter was about 20 years old)

Fenechka is a beautiful young woman: “... And really, is there anything in the world more captivating than a young beautiful mother with a healthy child in her arms? ..”

“…How pretty!..”

“... It is known about whom: only one pretty one ...”

“...Your father seems to have a good lip...”

Fenechka's appearance in quotes: “...Fenechka. She was a young woman of about twenty-three, all white and soft, with dark hair and eyes, with red, childishly plump lips and delicate hands. She was wearing a neat cotton dress; the new blue kerchief lay lightly on her round shoulders…”

Odintsova

2. The love story of Pavel Petrovich and Princess R.

3. Love story of Katya and Arkady

he foresaw that every day it would grow larger and larger. It was, therefore, in vain that he used to sit all day long in the winter in St. Petersburg over the latest compositions; in vain he listened to the conversations of young people; he rejoiced in vain when he managed to insert his own word into their ebullient speeches. "Brother says we're right," he thought, "and, putting all selfishness aside, it seems to me that they are further from the truth than we are, and at the same time I feel that there is something behind them. what we don't have, some kind of advantage over us... Youth? No: not only youth. Doesn't this advantage consist in the fact that they have fewer traces of nobility than we do?" Nikolai Petrovich lowered his head and passed his hand over his face. "But to reject poetry?" he thought again, "not to sympathize with art, nature?.." And he looked around, as if wishing to understand how one could not sympathize with nature. It was already evening; the sun hid behind a small aspen grove that lay half a verst from the garden: its shadow stretched endlessly across the motionless fields. The peasant was trotting on a white horse along a dark narrow path along the very grove; he was clearly visible all over, up to the patch on his shoulder, despite the fact that he was riding in the shade; the horse's legs flickered pleasantly distinctly. The rays of the sun, for their part, climbed into the grove and, breaking through the thicket, doused the aspen trunks with such a warm light that they became like pine trunks, and their foliage almost turned blue and a pale blue sky rose above it, slightly reddened by the dawn. The swallows flew high; the wind stopped completely; belated bees buzzed lazily and drowsily in the lilac flowers; midges huddled in a column over a lonely, far-stretched branch. "How good, my God!" thought Nikolai Petrovich, and his favorite verses came to his lips; he remembered Arkady, Stoff und Kraft, and fell silent, but continued to sit, continued to indulge in the sorrowful and gratifying game of solitary thoughts. He liked to dream; rural life developed this ability in him. How long had he dreamed the same way, waiting for his son at the inn, but since then a change had already taken place, relations had already been determined, then still unclear ... and how!

C1. Formulate the main idea of ​​the fragment and briefly comment on the critic's statement: "Bazarov is still defeated; defeated not by persons and not by the accidents of life, but by the very idea of ​​\u200b\u200bit is life."

In the novel "Fathers and Sons" I. S. Turgenev portrayed several vivid female characters. Each symbolizes certain traits and inclinations of the hero. Anna Sergeevna Odintsova is a noblewoman by birth, an interesting and intelligent woman, incapable of sincere feelings. Evdoksia Kukshina is a dummy who considers herself a nihilist, an untidy useless creature. The image and characterization of Fenechka in the novel "Fathers and Sons" reveal many positive traits of a female character and make up the image of an ideal woman, according to Turgenev.

The life story of Fedosya Nikolaevna

Fenechka is the illegal wife of Nikolai Petrovich. By origin, an ordinary peasant woman. After the death of her father, she remained alone with her mother. Mother Fenechka entered the Kirsanovs' house as a housekeeper, Nikolai Petrovich was struck by her cleanliness, her ability to keep her home in order. The attention of Nikolai Petrovich was attracted by the young daughter of the housekeeper, he tried to see and communicate with her more often. After the sudden death of her mother, Fenechka remained in the Kirsanovs' house, she and Nikolai Petrovich fell in love with each other and began to live together. Fenechka bore him a son, Mitenka.

Description Baubles

The author describes the appearance of the young Fedosya Nikolaevna, conveying to the reader the admiration for this special one:

“... It was a young woman of about twenty-three, all white and soft, with dark hair and eyes, with red, childishly plump lips and delicate hands. She was wearing a neat cotton dress; a new blue kerchief lay lightly on her round shoulders...”.

Fenechka is a pretty girl. Despite her peasant origin, she was brought up. Silly, illiterate, but sweet and kind. She inherited love for cleanliness and comfort in the house from her mother. She is modest and a little shy of the residents and guests of Maryin:

"... It seemed that she was ashamed that she had come, and at the same time she seemed to feel that she had the right to come ...".

The only person with whom she felt absolutely free was Evgeny Bazarov:

"... She not only trusted him, not only was not afraid of him, she behaved more freely and more freely with him than under Nikolai Petrovich himself ...".

Her character in motherhood is fully revealed. She is kind to her son, loves and pampers the baby. Pavel Petrovich's interest in his little nephew brings her great joy:

"... Fenechka blushed all over with embarrassment and joy ...".

Kirsanov and Fenechka

At the beginning of the novel, Fenechka is Nikolai Petrovich's cohabitant. Such relationships seem to have no future. He is a nobleman, she is an ordinary peasant woman. But the birth of a child gives Fedosya Nikolaevna a new position, Nikolai Petrovich moves her into the house, informs his son about his relationship. But some uncertainty remains in the fate of the girl. Kirsanov himself is shy of feelings:

“... Please don't call her out loud... Well, yes... she lives with me now. I placed it in the house... there were two small rooms. However, all this can be changed ... ".

Fenechka devotedly loves the father of her child:

“.. I love Nikolai Petrovich with all my heart. I don’t love Nikolai Petrovich - but after that I don’t even need to live! I love Nikolai Petrovich alone in the world and I will love forever! ..».

She is above all discussion and slander. The simplicity and naturalness of the girl make her beautiful and unlike anyone else. The long-awaited wedding of Fenichka and Nikolai Petrovich becomes the result of a three-year illegal relationship.

The image of Fenechka is carefully drawn by Turgenev. He sympathizes with her, admires her sincerity and openness. Of the female images presented in the novel "Fathers and Sons", she is more suitable than the rest for the ideal type of Turgenev's girl.